The Sopranos


 Federico Castelluccio, the actor who played Furio Giunta, on The Sopranos once discovered a painting in a museum had been mislabeled. He bought it for $70k and it ended up being worth $10 million.

Almost is good enough

 In this century, beauty stopped being important. Art increasingly aimed to disturb and break moral taboos. It was not beauty, but originality, however, achieved and at whatever moral cost, which won the prizes. Roger Scruton, Why Beauty Matters


I choose art and beauty


I choose art and beauty, vague as those terms are, against ugliness and horrors in which we live today.  For somebody to look at a flower or listen to music does something to one, has a positive effect, and being surrounded by ugliness and horror does something negative.  So I feel my duty not to betray those poets, scientists, saints, singers, troubadours of the past centuries who did everything that humanity would become more beautiful. - Jonas Mekas, via Happiness is a Choice You Make



Pablo Picasso’s real name


Pablo Picasso’s real name is Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso



Image result for Pablo Picasso

10 Most Expensive Works Of Art You Can Buy Today



10 Most Expensive Works Of Art You Can Buy Today
           BY MARIANA FERNANDES

The artistic world is a complex one, much like the artists itself. Many people have trouble coming to terms with all the money that is involved with this particular field, but that doesn't stop true lovers of spending millions on exclusive pieces. Of course, the biggest chunk of a given piece's worth stems from the artist who painted it. When we take into consideration that a painting was created by a master like Leonardo Da Vinci, it becomes easier to understand why so much money is involved.
And when we talk about large sums of money, we truly mean fortunes. It's not as uncommon as one would think to find a work of art sold by more than a regular Joe would make in a lifetime. And today, we're taking a look at the 10 most expensive works of art out there, that have the potential to break your bank.
10 MASTERPIECE BY ROY LICHTENSTEIN: $165 MILLION
 Pop art was a very interesting time for art in general. It's always interesting to see how much it can change based on what artists are inspired by. And in the case of pop art, it was an avalanche of colour, comics, and an overall challenging tone to what people were used to see in this world. It was an important movement that came to prove anything can be considered art!
This movement inspired a great many artists, including Roy Lichtenstein. Created in 1962, the piece is an amalgamation of the artist's signature. And it became so popular, it was sold in auction for $165 million. So if you're thinking about making an offer to Steven A. Cohen, be prepared to spend some serious money!

9 NU COUCHÉ BY AMEDEO MODIGLIANI: $170.4 MILLION

Amadeo Modigliani is well known amongst art lovers for painting nudes in a compelling and unique style. Nu Couché became his most famous piece of art when it sold in 2015 for over $170 Million to businessman and billionaire Liu Yiqian.
Curiously enough, the artist only had the chance to put up a ingle exhibition during his lifetime. One that ended up being shut down by the police! It will always remain somewhat of a tragedy that artists that lived in poverty and anonymity during their lifetime now have their pieces being acquired for millions of dollars.

8 LES FEMMES D'ALGER (VERSION O) BY PABLO PICASSO: $179.4 MILLION

On the topic of artists that didn't exactly reach billionaire status while they were alive, and became huge once they were deceased is acclaimed Spanish painter Pablo Picasso. One of the founders of the Cubist movement, to this day it remains virtually impossible to look upon one of his works without immediately recognising it was his doing.
Les Femmes D'Alger (Version O) is part of a series of paintings created by Picasso between 1954 and 1955, in tribute to the work of French artist Eugène Delacroix. Version O is the last version of the paintings, and is valued at $179.4 Million as of 2015.

7 PENDANT PORTRAITS OF MAERTEN SOOLMANS AND OOPJEN COPPIT BY REMBRANDT: $180 MILLION

Dutch artist Rembrandt Harmenszoon van Rijn remains, to this day, one of the most influential people in the artistic world, not just in his homeland, but the entire world as well. Rembrandt took his art to the next level during the 17th century, by choosing to focus on several themes rather than just a single topic.
The Pendant Portraits of Maerten Soolmans and Oopjen Coppit were commissioned on the occasion of Maerten and Oopjen's marriage, that took place in  1634. Initially belonging to the affluent Rothschild family, they were bought for $180 Million by the Louvre and Rijksmuseum in 2015.
6 NO. 6 (VIOLET, GREEN AND RED) BY MARK ROTHKO: $186 MILLION
 Those who are familiar with the happenings inside of the art world have surely heard of the Bouvier Affair. Long story short, Swiss art dealer Yves Bouvier conned a series of very important customers, over charging them for the art pieces they bought. Well, the painting in question was one of the ones involved in the whole ordeal.
RELATED: 10 RIDICULOUSLY EXPENSIVE THINGS MILEY CYRUS HAS BOUGHT
Originally painted in 1951 by Russian-American artist Mark Rothko, the piece perfectly represents the abstract expressionist movement that make all of his works so easily recognisable. After being sold to Russian businessman Dmitry Rybolovlev, it is now valued at $186 Million. Good luck trying to outbid that!

5 NUMBER 17A BY POLLOCK: $200 MILLION
 "I am nature" are perhaps some of the most famous words to have ever come out of famous American painter Jackson Pollock. Indeed, it was later proven that the patterns one could find in his works were present in nature itself. 17A is one of Pollock's most exquisite paintings, staying true to the artist's love for abstract expressionism.
Painted in 1948, this work of art remains, to this day, the most valuable one to ever come out of Pollock's several collections. In 2015, it was sold for $200 Million to Kenneth C. Griffin, an American investor and hedge fund manager. It's a wonderful art work, and it also costs quite the fortune.

4 NAFEA FAA IPOIPO (WHEN WILL YOU MARRY?) BY PAUL GAUGUIN: $210 MILLION
 French post-impressionist painter Paul Gauguin found himself somewhat tired of the sources of inspiration artists in the 19th century had in France. In order to find what he called primitive inspiration, he travelled to Tahiti. And although it wasn't exactly what he expected, he still had something to show for it.
One of the pieces to come out of this trip was the painting When Will You Marry?, one of several depictions of native women dressed in native clothing. At the time, it didn't inspire much interest, but centuries later, it was sold for $210 Million. Perhaps the next buyer will be willing to extend the numbers even further.
3 THE CARD PLAYERS BY PAUL CÉZANNE: $250 MILLION

Yet another post-impressionist painter featured on this list is Paul Cézanne. He's one of the artists we have to thank for the radical changes in the way art was both created and perceived between the 19th and 20th century. The Card Players are a series of paintings that were to precede Cézanne's most acclaimed art pieces.
All the paintings in the series depict male subjects around a table playing cards and smoking pipes. One of the pieces was sold to the royal family of Qatar for the incredible amount of $250 Million. For a while, this particular painting was actually the most expensive in the world, surpassed only by the works that follow on this list.

2 INTERCHANGE BY WILLEM DE KOONING: $300 MILLION
 Dutch-American abstract expressionist Willem de Kooning produced a series of extremely interesting and colourful work pieces over the several years in which he was active. And in 1955, he completed Interchange, which would mark a departure from his usual style due to  the influence of one of his friends and mentors.
Interchange, also known as Interchanged, is an oil painting that Kooning sold for $4000 dollars at the time, very soon after it was completed. Several decades later, the piece was sold for a whooping $300 Million to Kenneth C. Griffin, the same American businessman that bought Pollock's Number 17A.

1 SALVATOR MUNDI BY LEONARDO DA VINCI: $450.3 MILLION
 Leonardo Da Vinci will always remain one of the most iconic figures in the world of art. This comes, of course, in addition to all the other ventures he immersed himself in during his lifetime. Even those who know absolutely nothing about art know exactly who Da Vinci is, and the extent of his genius.
Salvator Mundi was, for many years, thought to be a copy of the original piece that was lost long ago, most likely done by one of Leonardo's apprentice. However, it became general consensus that the painting was actually the original, and in 2017 it surpassed Interchange by becoming the most expensive painting in the world - $450.3 Million expensive, to be more precise.


The Porter Brothers

Fairfield Porter was a realist painter and art critic. His parents were James Porter, an architect, and Ruth Furness Porter, a poet. Fairfield’s brother was photographer Eliot Porter.
A Harvard grad, his subjects were primarily landscapes, domestic interiors and portraits of family, friends and fellow artists, many of them affiliated with the New York School of writers, including Poets John Ashbery and James Schuyler and novelist Frank O'Hara.


Many of his paintings were set in or around the family summer house on Great Spruce Head Island, Maine (Which they owned) and the family home at 49 South Main Street, Southampton, New York. Porter said once, "When I paint, I think that what would satisfy me is to express what Bonnard said Renoir told him: 'make everything more beautiful."





Eliot Furness Porter was best known for his intimate color photographs of nature. Fairfield Porter introduced his older brother to photographer and gallerist Alfred Stieglitz in about 1930. Stieglitz, after seeing Porter's work, encouraged Porter to work harder.
Porter became interested in color photography after a publisher rejected a proposal for a book on birds because black and white images wouldn't clearly differentiate the species. Porter began working with a new color film, Kodachrome, introduced in 1935, but it presented considerable technical challenges, especially for capturing fast-moving birds. Drawing on his chemical engineering and research background Porter experimented extensively until he was able to produce satisfactory images.




Hunter the painting dog


The News Leader

YJILL SUMMERVILLE
Staunton, Virginia
27 Oct 1988,


Five-year-old Hunter lives in Alberta, Canada, with his human companions, Kenny Au, a computer engineer, and Denise Lo, an ESL teacher. He is a Shiba Inu. Shiba Inus were named one of the top ten smartest dog breeds in a 2018 article by CelebrityDogWatcher.com. [Currently, humans only have methods for measuring working intelligence in dogs, the ability to learn a new command in less than five repetitions and obey it ninety-five percent of the time. Adaptive intelligence and instinctive intelligence aren’t accounted for.] Since Hunter is the most intelligent dog Au and Lo have ever owned, they regularly provide him with opportunities to learn new skills. Hunter picks up his own toys, fetches his owners’ slippers, and stacks toy rings. Most impressively, though, he paints.
Hunter’s first painting was a gift to his family. In March of 2017, Au and Lo wanted to paint a design on one of their walls. When neither Au nor Lo found a suitable design, they decided to consult another family member. First, they taught Hunter to hold a paintbrush in his mouth, then they taught him to put the paintbrush to a paper that was taped to the wall and move the brush along the paper. Finally, they added paint to Hunter’s paintbrush. Pleased with the result, they let Hunter paint the design for their wall. “Since Hunter is such a huge part of our lives, ” said Au and Lo “we thought it would be appropriate if he made some artwork for us.” Now Hunter paints daily. “He seems to love having a job,” say Au and Lo, “and it seems to make him calmer throughout the day.”

Hunter isn’t the only pooch who has gained attention for his paintings. Arbor, a Las Vegas, Nevada rescue dog, Dagger II, known professionally as Dog Vinci, a black lab and golden retriever mix who became a painter after being told he was too anxious to become a service dog, and blind, long-haired rescue dachshund, Hallie have all found aficionados. While all of these dogs found loving homes, Hunter is the only dog who has been with his current human companions since his puppyhood. There is another way he differs from his canine competitors. While any proceeds Dog Vinci and Hallie make from their paintings go to nonprofits that help canines, Hunter competes on the open market. He has his own accounts on Instagram and Etsy. Though his paintings were originally priced at thirty-eight U.S. dollars each, his Etsy shop currently lists his asking price as roughly fifty U.S. dollars per painting. As of 2019, Hunter has sold over one hundred fifty paintings. His profits total roughly four thousand nine hundred three dollars and fourteen cents in U.S. dollars. Au and Lo say they are considering donating some of the future proceeds from Hunter’s work to their local animal shelters.

Hunter isn’t doing this for the money. Instead, he’s motivated by the treats his humans give him when he uses his paintbrush in a constructive way. He is learning the physical movements a painter performs, and he is associating those movements with obtaining a desired reward. Neither he nor any of his canine competitors are actually learning the many abstract concepts associated with painting, such as perspective, medium, and color palette. Much of a dog’s brain activity is focused in the stratium, a dopamine rich area that focuses on reward, pleasure, and expectation. In other words, it’s probably the expectation of a reward—a reward that, as an intelligent dog, he likely quickly learned to expect—that is a pleasure to Hunter, not the act of painting itself. The ability to take pleasure in an abstract, emotionalized concept is a distinctly human ability. A brain’s ability to perform complex functions is partially determined by its size relative to a creature’s body. The average dog brain is roughly the size of a tangerine. Gregory Berns, a neuroscientist who studies the canine brain for Emory University in Atlanta, says, “Dogs’ brains just don’t have the real estate to do the things ours do.”


 Hunter is a motivated artist. He simply doesn’t have human motivations. In the end, though, does that really matter? Dogs can recognize partner bonds. In Berns’ research, dogs would willingly feed other dogs they knew, even if they didn’t receive any food themselves. Unlike most animals, apart from humans, dogs recognize pointing as a meaningful gesture that indicates attention should be turned to something other than themselves. They know how to use head and facial movements to redirect their humans’ attention. Most impressively, dogs understand object permanence. Object permanence is the psychological understanding that an object moved out of sight has not disappeared, and it may appear elsewhere.


 Dogs understand this concept, and they can use object tracking to determine where they should search for an object that has moved out of sight. For comparison, four-year-old humans struggle with understanding object permanence. Hunter uses his skill at object tracking when he paints. Not only does hr know performing certain actions with a paintbrush will lead to his getting a treat. He uses his object tracking ability to make sure he performs the same physical movements with the brush each time he paints, both while he is dipping the brush and while he is actually painting.


Perhaps that’s not how a human artist approaches painting, but Hunter is still forming a genuine connection with someone every time he pleases a human who loves him with one of his paintings.

"Abstract art is not the creation of another reality but the true vision of reality." Piet Mondrian


From Wikipedia


Pieter Cornelis Mondriaan was a Dutch painter and theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.


Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: “Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man.” His art, however, always remained rooted in nature.
He was a contributor to the De Stijl art movement and group, which he co-founded with Theo van Doesburg. He evolved a non-representational form which he termed Neoplasticism. This was the new 'pure plastic art' which he believed was necessary in order to create 'universal beauty'. To express this, Mondrian eventually decided to limit his formal vocabulary to the three primary colors (red, blue and yellow), the three primary values (black, white and gray) and the two primary directions (horizontal and vertical). Mondrian's arrival in Paris from the Netherlands in 1911 marked the beginning of a period of profound change. He encountered experiments in Cubism and with the intent of integrating himself within the Parisian avant-garde removed an 'a' from the Dutch spelling of his name (Mondriaan).



Mondrian's work had an enormous influence on 20th century art, influencing not only the course of abstract painting and numerous major styles and art movements (e.g. Color Field painting, Abstract Expressionism and Minimalism), but also fields outside the domain of painting, such as design, architecture and fashion.
Design historian Stephen Bayley said: 'Mondrian has come to mean Modernism. His name and his work sum up the High Modernist ideal. I don’t like the word ‘iconic’, so let’s say that he’s become totemic – a totem for everything Modernism set out to be.'